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Equipment used

Ibanez RG 770 DX
Parker Nitefly SA
Line6 POD 2.0

(Clean sound: Fender amp simulations with short stereo delay / Lead sound: Soldano amp simulations with delay & reverb)

 

 

 

 

 

Yngwie Malmsteen "Far Beyon The Sun" guitar lesson
-> Go to part 1 3 4 5

e|----------------------------------|
b|------9-9h10-----9-10-12h14p12----|
g|-9h11--------11----------------13-|
d|----------------------------------|
a|----------------------------------|
e|----------------------------------|

 

Notice the phrasing of the the first two hammer-ons: the notes on the ninth fret go by very fast (this is more obvious when played up to tempo).

 

 

e|----------------------------------------------|
b|-14h15p14\12--12h14p12------------------------|
g|-----------------------13-13h14--13h14--13----|
d|-------------------------------------------14-|
a|----------------------------------------------|
e|----------------------------------------------|

Try to "hang" on the very first note of the legato groups - in order to get the phrasing right (again - this is more obvious when played up to tempo).

 

 

              T          T     T          T     T
e|-------9h14-17-14p9h14-17p14-17p14p9h14-17p14-17p14p9\-|
b|----10-------------------------------------------------|
g|-11----------------------------------------------------|
d|-------------------------------------------------------|
a|-------------------------------------------------------|
e|-------------------------------------------------------|

This licks begins with a three note sweep, followed by a hammer-on and then tapping.

Getting the tapping finger to the right place (in time!) is a difficult task. I always try to isolate the difficult part and create an exercise out of it. So before I have practiced getting the timing of the tapping-finger right, I don't even attempt to play the whole thing. Otherwise I will just end up being frustrated.

 

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