Ibanez RG 770 DX
Parker Nitefly SA
Line6 POD 2.0

(Clean sound: Fender amp simulations with short stereo delay / Lead sound: Soldano amp simulations with delay & reverb)

e|----------------------------------|
b|------9-9h10-----9-10-12h14p12----|
g|-9h11--------11----------------13-|
d|----------------------------------|
a|----------------------------------|
e|----------------------------------|

e|-------------------------------------|
b|-14br--12h14p12----------------------|
g|----------------13-14---13h14-13-----|
d|---------------------------------14--|
a|-------------------------------------|
e|-------------------------------------|

e|-------------------------------------------------|
b|--------14-19-17-15-14-15-14----14---------------|
g|-----14----------------------16----16-14-16-/18--|
d|--16---------------------------------------------|
a|-------------------------------------------------|
e|-------------------------------------------------|

e|-------------------------------------------------------|
b|-------------------------------------------------------|
g|-13-13-13-14-16-16--14h16p14p13-14---16-16-16-18-19-18-|
d|-------------------------------------------------------|
a|-------------------------------------------------------|
e|-------------------------------------------------------|

There are different ways of achieveing the muted/damped effect in between the notes. The most common one, which I think Yngwie uses, is to damp the string - right after the pick strike, with the right hand thumb.

A method which I use more often, is to lift the left hand finger right after the pick strike. You don't need to lift it high above the strings - you should lift it just enough to kill the note. The reason I prefer this method is because it creates abrupt silence. Now GO KILL YOUR NOTES!!