Nuno Bettencourt solo continued (part 2)
->Go to part 1 3 ending
Time to analyse the next section in the solo:
e|---------7/10-14-10-14-10-------15-10-15-10--------14-10-14-10-------15-10-15-10--------|
b|-------9------------------13-10-------------13-10--------------13-10-------------13-10--|
g|-----9----------------------------------------------------------------------------------|
d|---9------------------------------------------------------------------------------------|
a|-7--------------------------------------------------------------------------------------|
e|----------------------------------------------------------------------------------------|
e|-13-10----------------------------------------------------------------------------------|
b|-------13-10h11p10----10h11p10----10h11h13p11p10----------------------------10-13~------|
g|-------------------13----------13----------------13p12p10----------10-10h12-------------|
d|----------------------------------------------------------12-10h12----------------------|
a|----------------------------------------------------------------------------------------|
e|----------------------------------------------------------------------------------------|
First, let us see how the right hand damping (or "muting") is done. This kind of technique is useful when
- a staccato sound is desired
- you don't want the all the strings ringing at the same time
The reason we are doing it here is number (2). The following video clip illustrates this:
Let us have a look at the speepicking lick.
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e|---------7/10-14-10-14-10-------15-10-15-10---------|
b|-------9------------------13-10-------------13-10---|
g|-----9----------------------------------------------|
d|---9------------------------------------------------|
a|-7--------------------------------------------------|
e|----------------------------------------------------|
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| |
e|-14-10-14-10-------15-10-15-10----------------------|
b|-------------13-10-------------13-10----------------|
g|----------------------------------------------------|
d|----------------------------------------------------|
a|----------------------------------------------------|
e|----------------------------------------------------|
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This kind of sixteen note triplet pattern is also typical for guitarist Zakk Wylde. Practice it separately over and over again with a metronome:
e|-14-10-14-10-------15-10-15-10------|
b|-------------13-10-------------13-10|
g|------------------------------------|
d|------------------------------------|
a|------------------------------------|
e|------------------------------------|
|
You should try to alter this kind of repetitive (and boring!) exercise with some jaming, it could sound something like this:
Then comes the legato part of the fast lick
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e|-13-10-------------------------------------------------
b|-------13-10h11p10----10h11p10----10h11h13p11p10-------
g|-------------------13----------13----------------------
d|-------------------------------------------------------
a|-------------------------------------------------------
e|------------------------------------------------------- |
| |
e|---------------------------------------|
b|---------------------------10-13~------|
g|13p12p10----------10-10h12-------------|
d|---------12-10h12----------------------|
a|---------------------------------------|
e|---------------------------------------|
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If you have problems getting this part up to speed, the Freelicks DVD - Speed, Tone and Theory will show you the most important exercises (both legato and picking) to achieve speed.
Continue here
Or go to part 1 3 ending
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