Webmasters! Get free access to Masterclass Video Lesson Archive NOW!  
Guitar Lessons
   
 
 
Guitar lessons
Solo Lessons
Song Lessons
Guest Lessons
 
Extras
Backing tracks
Hints 'n tricks
Guitar glossary
Problems viewing
 
 
In-depth learning
Quick-Start Course
Speed, Tone & Theory
 
 
Free guitar sites
Top100 guitar sites
Top100 tab sites
Guitarboard.com
Guitarsolos.com

  

Equipment used

Ibanez RG 770 DX
Parker Nitefly SA
Line6 POD 2.0

(Clean sound: Fender amp simulations with short stereo delay / Lead sound: Soldano amp simulations with delay & reverb)

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Nuno Bettencourt solo continued (part 2)
->Go to part 1 3 ending

Time to analyse the next section in the solo:

e|---------7/10-14-10-14-10-------15-10-15-10--------14-10-14-10-------15-10-15-10--------|
b|-------9------------------13-10-------------13-10--------------13-10-------------13-10--|
g|-----9----------------------------------------------------------------------------------|
d|---9------------------------------------------------------------------------------------|
a|-7--------------------------------------------------------------------------------------|
e|----------------------------------------------------------------------------------------|

e|-13-10----------------------------------------------------------------------------------|
b|-------13-10h11p10----10h11p10----10h11h13p11p10----------------------------10-13~------|
g|-------------------13----------13----------------13p12p10----------10-10h12-------------|
d|----------------------------------------------------------12-10h12----------------------|
a|----------------------------------------------------------------------------------------|
e|----------------------------------------------------------------------------------------|

First, let us see how the right hand damping (or "muting") is done. This kind of technique is useful when

  1. a staccato sound is desired
  2. you don't want the all the strings ringing at the same time

The reason we are doing it here is number (2). The following video clip illustrates this:

e|--------|
b|--------|
g|-----9--|
d|---9----|
a|-7------|
e|--------|

 

 

Let us have a look at the speepicking lick.

e|---------7/10-14-10-14-10-------15-10-15-10---------|
b|-------9------------------13-10-------------13-10---|
g|-----9----------------------------------------------|
d|---9------------------------------------------------|
a|-7--------------------------------------------------|
e|----------------------------------------------------|

 

e|-14-10-14-10-------15-10-15-10----------------------|
b|-------------13-10-------------13-10----------------|
g|----------------------------------------------------|
d|----------------------------------------------------|
a|----------------------------------------------------|
e|----------------------------------------------------|

 

 

This kind of sixteen note triplet pattern is also typical for guitarist Zakk Wylde. Practice it separately over and over again with a metronome:

e|-14-10-14-10-------15-10-15-10------|
b|-------------13-10-------------13-10|
g|------------------------------------|
d|------------------------------------|
a|------------------------------------|
e|------------------------------------|

 

You should try to alter this kind of repetitive (and boring!) exercise with some jaming, it could sound something like this:

 

Then comes the legato part of the fast lick

e|-13-10-------------------------------------------------
b|-------13-10h11p10----10h11p10----10h11h13p11p10-------
g|-------------------13----------13----------------------
d|-------------------------------------------------------
a|-------------------------------------------------------
e|-------------------------------------------------------

 

e|---------------------------------------|
b|---------------------------10-13~------|
g|13p12p10----------10-10h12-------------|
d|---------12-10h12----------------------|
a|---------------------------------------|
e|---------------------------------------|

 

 

If you have problems getting this part up to speed, the Freelicks DVD - Speed, Tone and Theory will show you the most important exercises (both legato and picking) to achieve speed.

Continue here

Or go to part 1 3 ending

 

 

 

 


  Support the site | About | Contact | Privacy policy | Legal notice | Copyright © Rock My Web AB