Nuno Bettencourt solo continued (part 3)
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The next part could be described as "bendy" and "feely":

e|------------------------------------------12-13-15~--15-15br-13-12--13-15-12b-12--------|
b|-------12brb-12p10-12~-----------13-15-17---------------------------------------13\-----|
g|----10------------------12-14-16--------------------------------------------------------|
d|-12-------------------------------------------------------------------------------------|
a|----------------------------------------------------------------------------------------|
e|----------------------------------------------------------------------------------------|

e|---------------------------------------------------12-13-15-15b--13-\12--13-15-12b-12---|
b|-----13-15-15br-13-------------------15b--13-15-17------------------------------------13|
g|-/14---------------13-15-13h15p13\12----------------------------------------------------|
d|----------------------------------------------------------------------------------------|
a|----------------------------------------------------------------------------------------|
e|----------------------------------------------------------------------------------------|

Notice how Nuno builds up his phrases with scalar, "three-notes-per-string" runs, eventually landing on a strong, bend note. Take this idea and make your own:

These kind of shorter phrases and bends , are the typical kind of licks to incorporate into your playing, as they are easier to "steal" than longer runs:

Yet another three-note-per-string run followed by bends:

Continue here

Or go to part 1 2 ending